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"From whom?" demands Mona, lazily, seeing the writing is unknown to her. Behind the house rises a thick wood,—a "solemn wood," such as Dickens loved to write of, with its lights and shades and every-varying tints. A gentle wind is rushing through it now; the faint murmur of some "hidden brook," singing its "quiet tune," fall upon the ear; some happy birds are warbling in the thickets. It is a day whose beauty may be felt. "Because"—the smile has died away now, and she is looking down upon him, as he lies stretched at her feet in the uncertain moonlight, with an expression sad but earnest,—"because, though I am only a farmer's niece, I cannot bear farmers, and, of course, other people would not care for me.".

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"No; I am quite warm," says Mona, in a low, sad tone. "Sure Miss Mona can," says Biddy, turning to her young mistress, and standing in the doorway in her favorite position,—that is, with her bare arms akimbo, and her head to one side like a magpie. "She's raal clever at dhressin' an' doctherin' an' that." How he wanted to look back! How he longed to see if his friend was really rising from that bit of blackened bone! But Talking Rock was strong-hearted. He controlled his desires. On and on he ran, and then—behind him the light tread of running feet, a firm hand gripped his shoulder, and a loved voice said, "Why so fast, my friend?" and stopping and turning, Talking Rock found himself face to face with Red Robe. He could not believe what he saw, and had to pinch himself and to hold his friend hard in his arms to believe that all this was real. "Oh, yes, you may go," says Mona. Geoffrey says nothing. He is looking at her with curiosity, in which deep love is mingled. She is so utterly unlike all other women he has ever met, with their petty affectations and mock modesties, their would-be hesitations and their final yieldings. She has no idea she is doing anything that all the world of women might not do, and can see no reason why she should distrust her friend just because he is a man..